The Bixby Letter and Saving Private Ryan

I find it thoroughly enjoyable and highly interesting when separate pleasant events come together by accident, and certainly without planning on my part. I recently had just such an experience. 

I watched a movie on TV and a day later read a review of four new books on the life of John Hay, President Lincoln’s presidential secretary and later ambassador to European courts and Secretary of State.

I viewed “Saving Private Ryan” on one of those TV channels which show movies without commercial interruptions. A pleasurable experience despite having seen the movie years ago in a theatre. 

The early part of the movie is getting the Rangers led by Captain John Miller (Tom Hanks) off Omaha Beach on D-Day. The story moves on to the catastrophic news that a mother in Idaho is about to be notified three of her four sons have been killed in combat. A fourth is somewhere in Normandy. 

General George C.Marshall, Chief of Staff of the Army, orders a search for the fourth son and to “get him to hell out of there.” In explaining his order to staffers who brought him the news of the Ryan family, General Marshall quotes from a letter President Lincoln sent to a Mrs. Bixby of Boston who was thought to have lost five sons (it later turned out to be two) during the Civil War. 

The Bixby letter was an expression by the President of how inadequate words and feelings are to console the mother in such an overwhelming loss. It is the type of letter history and our imaginations let us accept Lincoln would have written. 

It now turns out that Lincoln was not the author of the letter; it was written by John Hay, considered to be “the stylish” writer on Lincoln’s staff, with the “pen of a poet.” 

Four new books on the life of this literary scholar, lawyer, presidential ghostwriter, and longtime cabinet member, are reviewed in depth by Christopher Benfey, Mellon Professor in English at Mount Holyoke College, in The New York Review of Books (March 8, 2018).

I am indebted to Professor Benfey and the authors of the reviewed books for this fascinating background which played an important part in the development of the storyline of Stephen Spielberg’s “Saving Private Ryan,” and for the pleasant surprise of watching a movie and shortly thereafter learning a bit of the history of what makes the movie work.

THE JOKE IS ON US

Last night I went to see Lewis Black at the Gaillard Center in Charleston. Disappointed all around. The show as billed as “The Joke Is On US tour,” and it turned out it was. 

The warm-up man before Black was in some ways a copycat. He was also on too long and had only one or two good jokes.

He and Black looked like they were the last two men dressed at the Salvation Army that day and just came off the bus from a job site. I consider this disrespectful to the audience who paid anywhere from $50 to a $100 for a seat. (Gaillard’s website listed lower prices but charged more when I bought.)

Most of Black’s material was thoroughly generic. He could have used it in any city in America. There was none of the biting satire and social critic I (and thousands of others, I am sure) have come to expect from him. I have seen several of his televised shows and bought his DVDs. 

Lewis's comments about his parents' age did get a lot of applause. His father, he said, is 100 this year and his mother 99. They live in an assisted living facility in Maryland. In some of the earlier shows I have seen they have been in the audience and were shown on camera. 

During one rant about not having guns in church, a man in the audience “booed” and Black spent several minutes hectoring this man on guns, the 2nd amendment, and mental stability. I thought this excessive and certainly, no one who has paid his money to sit in the audience needs to be criticized in this manner